The art of Dennis Larkins ranges from retro-kitsch paintings of multi-dimensional landscapes to his legendary and iconic series of Grateful Dead concert posters. Larkins' images were forever burned into the pop psyche by the groundbreaking stage monoliths he created for promoter Bill Graham. At last, here is a definitive collection of Larkins' works - four decades of his creative growth and expression distilled in to a gorgeous, full-color hardcover. Startling Art is an in-depth look at an artist immersed in the visual vernacular of pop surrealism, uniquely drawn from a life lived in the trenches of pop culture.

The Symphonic Poem in Britain 1850-1950aims to raise the status of the genre generally, and in Britain specifically, by reaffirming British composers' confidence in dealing with literary texts. The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).

Written by a leading expert in the field, this volume contains comprehensive numbering and building details of almost every variety of Engineers Department wagon built by or for British Railways between 1978 and 1994.

Essays on the synthesis of the musical and literary arts in German Romanticism. The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the "Romantic" nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests. Siobhan Donovan is a Lecturer in the Department of German at University College Dublin. Robin Elliott is Jean A. Chalmers Chair in Canadian Music at the University of Toronto.

This richly photographed volume is a celebration of what is, at once, an ancient symbol of shelter and harvest and, as well, a quintessential American architectural form. Widely revered yet steadily vanishing from our cultural landscape, the barn is an expression of pastoral romance, honest effort, painstaking craftsmanship, and tradition - a tradition that we are in danger of losing. Barn: Rescue and Adaptation, Revised and Expanded is a magnificent, abundantly illustrated volume that examines the remarkable story a true architectural icons. In this authoritative exploration, the authors, both practitioners of barn restoration and historic-barn moving, offer a tribute and guide to the many extant forms of American barn, following the evolution of the form from this country's earliest days, and, as well, tell the story of their efforts to restore, adapt, and repurpose these simple, soulful structures. Barns embody the ethos of another age and harken back to those days when the world moved more slowly, an ethos still to be found in these beautiful buildings - yet, due to the ravages of time, weather, and neglect these essential American edifices are threatened, as never before. This volume reminds us that barns are as much a part of us as our love of apple pie, and as such should be cherished for their artistry and cultural significance. This revised and expanded edition of Barn coincides with the premier of the PBS series Barnstruck and describes the process of barn preservation through relocation, focusing on the work of The New Jersey Barn Company, whose dedicated efforts over 35 years have saved more than 150 structures.